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	<title>LNA</title>
	<link>https://langarita-navarro.com</link>
	<description>LNA</description>
	<pubDate>Thu, 27 Apr 2023 11:50:39 +0000</pubDate>
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	<item>
		<title>About</title>
				
		<link>https://langarita-navarro.com/About</link>

		<pubDate>Wed, 27 Jun 2018 11:02:29 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

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estudio@langarita-navarro.com

grijalba, 8
28006 Madrid

t +34 91 564 59 84







María Langarita is Ph.D. in architecture from the ETSA Madrid and she is a lecturer in Architectural Projects at ETSA Madrid.
 
Víctor Navarro&#38;nbsp;is Ph.D. in architecture from ETSA Madrid and he currently works as a lecturer in Architectural Projects at 

ETSA Madrid

 and has been lecturer at Harvard Graduate School of Design in 2015.

They have worked together since 2005 in the architectural studio Langarita-Navarro. Their work has been recognized with the Special Mention of the Mies van der Rohe Award in 2013 as well as the award of the XII Spanish Biennal of Architecture and Urbanism, the FAD 2012 award, the AR+D Award for Emerging Architecture 2012 and the COAM award in both 2013 and 2022. Their career has also been honoured with the Young Architect of the Year 2014 award, and the AD Nuevos Valores 2013 award. Their work has appeared in various publications and has been chosen for the monograph of 2Gmagazine. Their work has been selected to be exhibited in different places and events, including the 6th Biennale of Architecture and Urbanism of Shenzhen 2015 and the XI Biennale di Venezia in 2014 and 2008. They have been the directors of XII BEAU - Universidad Menended Pelayo summer course and they were selected to be Jurors for the Santo Domingo Biennal.


Job Applications

We consistently seek the most exceptional talent.

To apply for job opportunities, kindly submit your portfolio, resume, and cover letter to&#38;nbsp;jobs@langarita-navarro.com

















	

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		<title>Homepage</title>
				
		<link>https://langarita-navarro.com/Homepage</link>

		<pubDate>Wed, 27 Jun 2018 11:02:29 +0000</pubDate>

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		<title>Casa PS-50</title>
				
		<link>https://langarita-navarro.com/Casa-PS-50</link>

		<pubDate>Thu, 27 Apr 2023 11:04:13 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

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Casa PS-50



Tarifa, 2022

Single family house facing the Atlantic ocean.

A+ Single House 
Award

 2023

COAM Luis M. Mansilla Award Mention 2023 
 

Finalist 

 XVI Bienal Española de Arquitectura y Urbanismo

Finalist Premios FAD 2023


Selected Premios Arquitectura CSCAE 2022
Premio Sánchez Esteve 2022/23


Vivienda unifamiliar frente al océano Atlántico.
Premio A+ Vivienda Unifamiliar 202Mención Premio COAM Luis M. Mansilla 2023



Finalista XVI Bienal Española de Arquitectura y Urbanismo

Finalista Premios FAD 2023

Seleccionada Premios Arquitectura CSCAE 2022






	

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Authors: Langarita-Navarro Arquitectos, Víctor Navarro, María Langarita.
Team: Antonio Antequera, 

Javier Estebala Alández, 

Fran Abellán Estevan, Pepe Susín.
Surveyor: José Ignacio Calderón Naval (Max Project).
Landscape: Ambienta.

Mechanics: Argenia Ingeniería y Arquitectura SL + BAC Engeneering.
Structure: Bernabéu Ingenieros.
Photos: Luis Díaz Díaz.

‘































The lead character in this project is an extraordinary coastal landscape; thick, rugged, and impregnable, resisting the assaults of the Atlantic winds. We imagine the possibility of living under the cover of this greenery with the self-imposed objectives of being large and at the same time inconspicuous, while also invoking the unexpected behaviours of bodies and matters.

The roof takes on the shape of a large section of the terrain, elevated onto a concrete slab that supports the important weight of an intensive green roof, restoring the pre-existing vegetation. The zigzag pattern of the roof makes it possible to cover long spans and reduces its own weight, as well as conveying a sense of near-impossible lightness, almost like that of a fabric blowing in the wind.

A series of parallel walls organises the house plan, lightly touching the roof from below. Their placement allows the organisation of uses, as well as managing the changing easterly and westerly winds. By opening and closing the floor-to-ceiling glass panes as needed, it is possible to deploy a configuration to expose or defend the spaces from each of the prevailing winds, using them as if one were on a boat.

The main volume of the house is elevated, embedded into the terrain and overlooking the sea like the bow of a ship, leaning on a granite well carved into a prism. From here, a cascade of terraces and steps unfold outward, providing access to the swimming pool and the grounds. The access is located in a courtyard open to the sea where one goes up a generous helical staircase around a lush garden sheltered from the wind.

Its material character – using lime stucco walls, horizontal concrete surfaces, reflective steel, and dark window and door frames – makes the house difficult to see from the sea, as it sits hunkered down among the vegetation, mimicking the colours of the natural surroundings, the shrubbery, and chalky rock.

The main body of vegetation is a selection of native species with low water needs across the plot’s free spaces and over the rooftop, with the medium term aim of returning the image of the landscape prior to the construction to the area, as well as reducing the thermal load of the house by making the most of evapotranspiration.’




















‘El protagonista de este proyecto es un extraordinario paisaje
de costa espeso, escarpado e inexpugnable, que resiste al azote del viento
Atlántico. Nos imaginamos la posibilidad de vivir bajo este estrato vegetal con
los objetivos autoimpuestos de ser grande y al mismo tiempo poco visible invocando,
además, el comportamiento inesperado de los cuerpos y materias.&#38;nbsp; 



La cubierta toma la forma de una gran sección de terreno elevada
sobre una losa de hormigón que soporta la importante carga de una cubierta
vegetal intensiva restituyendo la vegetación preexistente. La configuración en
zigzag de la cubierta permite salvar grandes luces reduciendo su peso propio y
transmite una sensación de ligereza imposible, casi como la de una tela
perturbada por el viento. 



Una batería de muros paralelos organiza la planta de
vivienda tocando levemente la cubierta por debajo. Su disposición permite
gestionar además de los usos, los vientos cambiantes de poniente y levante.
Abriendo o cerrando los paños de vidrio según convenga es posible desplegar una
configuración de exposición o defensa a cada uno de los vientos dominantes,
haciendo uso de estos como si de un barco se tratara.



El volumen principal de la vivienda se eleva incrustándose
en el terreno y se asoma al mar como una proa apoyada en el prisma tallado de
la poza de granito. A partir de esta se despliegan una cascada de gradas y
escaleras que permiten el acceso a la piscina y al terreno. El acceso se
produce a través de un patio abierto al mar por el que se asciende una amplia
escalera helicoidal alrededor de un frondoso jardín a resguardo del viento. 



La materialidad a base de muros de cal, planos horizontales
de hormigón, acero reflectante y carpinterías oscuras dificulta la visión de la
casa desde el mar que agazapada entre la vegetación se mimetiza con los colores
del entorno natural, los arbustos y la roca calcárea.



El cuerpo vegetal se reconstruye mediante la plantación especies
autóctonas de bajo consumo hídrico en el espacio libre de parcela y en la
cubierta de con la intención a medio plazo de devolver al paisaje la imagen de
la parcela previa a la construcción y de reducir la carga térmica de la
vivienda mediante la evapotranspiración del conjunto.’

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		<title>Casa Hernández</title>
				
		<link>https://langarita-navarro.com/Casa-Hernandez</link>

		<pubDate>Thu, 24 Feb 2022 10:04:06 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

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Casa Hernández



Madrid, 2021

Single family house on the outskirts of Madrid.



COAM Award 2022Selected in Premis FAD 2021Finalist XV Bienal Española de Arquitectura y Urbanismo
 Selected IX Premios de Arquitectura Enor 2023








Vivienda unifamiliar en la periferia de Madrid.

Premio COAM 2022
Seleccionada Premios FAD 2021Finalista XV Bienal Española de Arquitectura y Urbanismo

Seleccionada IX Premios de Arquitectura Enor 2023








	

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Authors: Langarita-Navarro Arquitectos, Víctor Navarro, María Langarita.
Team: Pablo Sánchez de Vega, Pepe Susín, Havi Navarro, Fran Abellán, Eugenia Concha, Antonio Antequera, 

Javier Estebala Alández.
Surveyor: Alfonso Sáenz.
Landscape: Ambienta.

Mechanics: Úrculo Ingenieros.
Structure: Mecanismo.
Photos: Rafael Trapiello.

‘














This project is located in a new-build
neighbourhood, on a south-facing plot at the end of a long row of
semi-detached houses, alongside a small park. The clients’ cosmopolitan life,
the memories of the landscapes they lived in the north of Europe, and their
dedication to the world of art led to the need to challenge planning
regulations and secure their two coveted aims: bright spaces with high ceilings
for their artworks and the need to live with connections to a diverse exterior
space



.’




















‘El proyecto se ubica en un barrio de nueva construcción, en una parcela bien orientada que ocupa la
posición final de una larga fila de adosados en contacto con un pequeño parque.
La vida cosmopolita de los clientes, su memoria de los paisajes vividos en el
norte de Europa y la dedicación al mundo del arte llevó a desafiar las normas
urbanísticas para conseguir los dos objetivos anhelados: espacios altos y
luminosos para las obras de arte y la necesidad de vivir conectados con un
espacio exterior diverso.’

</description>
		
	</item>
		
		
	<item>
		<title>Olimpo Nômade</title>
				
		<link>https://langarita-navarro.com/Olimpo-Nomade</link>

		<pubDate>Thu, 24 Nov 2022 15:35:15 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/Olimpo-Nomade</guid>

		<description>
	























Olimpo
Nômade







Portimao, Portugal, 2022
Backstage for an itinerant music festival.
Winner XVI Bienal Española de Arquitectura y Urbanismo
Selected Premios Arquitectura CSCAE 2022

Finalist A+ Award 
2023

Finalist XIII Bienal 

Iberoamericana

de Arquitectura y Urbanismo


Backstage para un festival de música itinerante.

Premio XVI Bienal Española de Arquitectura y Urbanismo
Seleccionado en los Premios Arquitectura CSCAE 2022
Finalista Premios A+ 2023




	

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Authors: Langarita Navarro Arquitectos, Víctor Navarro, María Langarita.

Team: Javier Estebala Alández, Antonio Antequera Reviriego y Fran Abellán Estevan.


Inflatable architecture: Espacio La Nube

Team: Álvaro Gomis, Hugo Cifre, Miguel Ángel Maure.



Festivals: Afronation + Rolling Loud 
Promoters: Event Horizon + Rolling Loud 
Commissioned by: Elliott Jack &#38;amp; Dominik Prosser. 
Backstage Managers: Elliott Jack, Dominik Prosser, Raul Caldeira &#38;amp; Theodora Karakassi.
Install / Inflate / Operational Team: Roberto, André, Bruno, Cabral, Miguel, Igor, Janeta, Mauro, Ricardo, Hugo Morals, Luis Claudio, Andre Paulino de Oliveira, Gleison Barbosa Flor, Wallace Sousa, Mateus, João Figueirinha, Manuel Pires, David Castanheira, Felipe Henrique Otto, Jean Lopes.



















‘Olimpo Nômade is an itinerant city for the
performing artists at a music festival. It is the place where the musicians get
ready before their performance, where they can relax and chill out with their
peers after the concert or session. It is a lightweight, foldable, and
transportable ‘galactic’ city that, wherever it is unfolded, serves as the
support and backdrop for memorable experiences and legendary gatherings.



For its first deployment, it was unfolded on
the sands of Portimão beach, in the Algarve, Portugal. A series of devices
serviced the needs of the festival while also creating a collection of
important squares and exterior areas for rest and recreation, offering
protection from the sun with a series of different palms and fishing nets.



An oasis of sand and palm trees saw a grand
complex bring a stretched doughnut, bubbles, and a reflective palace that are
able to disappear into the surroundings.



The doughnut is a living room; a continuous,
white, edgeless, inflatable structure spanning five hundred square metres,
intersected by a yellow cylinder and triangular prism that serve as air vents
as well as emergency access and exits. Inside, a calm patio with palm trees.



A camp of bubbles serves as the dressing
rooms. Each on of them is formed by two different-sized bubbles; one providing
space for the changing room and the other, with a large skylight, a common area
to share with friends and members of the crew before heading on stage.



The palace groups three dressing rooms for the
headliners. A perfect, mirrored cube on a 9 x 9 x 9-metre scaffold structure,
pierced on each side by 3 x 3 x 3-metre voids that serve as private terraces
and independent accesses. On the roof, a blue-carpeted viewpoint with
reflective balustrade seems to fly above the surroundings. A strange and
otherworldly object.



The aim of the project is to provide the
festival with a practical, lightweight, durable, and foldable infrastructure
that can be stored and transported in a minimal number of containers,
preserving its aesthetic relevance for as long as possible, without sacrificing
a certain fantastical monumentality. An portable Olympus for contemporary gods.’



















‘Olimpo Nômade es una ciudad itinerante para
los artistas de un festival de música. Es el lugar donde se preparan los
músicos antes de una actuación y donde liberan la tensión con sus pares tras el
concierto o la sesión. Es un ciudad ligera, plegable, transportable, galáctica
que, allí donde se despliegue, ha de servir de fondo y soporte de experiencias
memorables, de encuentros míticos.



En su primera implantación se desplegó sobre
la arena de la playa de Portimao, en el Algarve portugués. Una serie de
dispositivos daba servicio a las necesidades del festival creando a su vez
forma a una colección de plazas y zonas de descanso y recreo exteriores
significadas y protegidas del sol mediante diversos tipos de palmas y redes de
pesca.



El conjunto palatino convoca en un oasis de
arena y palmeras a un donut estirado, unas burbujas y un palacio reflectante
que tiene la capacidad de desaparecen en el entorno.



El donut es un salón. Una estructura continua,
sin aristas, blanca e inflable de quinientos metros cuadrados intersecado por un
cilindro y un prisma triangular amarillo que hacen la función de exclusa de
aire, acceso y salida de emergencia. En su interior, un patio tranquilo con
unas palmeras. 



Un campamento de burbujas son los camerinos.
Cada un de ellas está formada por dos pompas de distinto tamaño, una hace de
vestuario y la otra, con un gran hueco abierto al cielo, sirve para divertirse
con amigos y miembros del equipo antes de salir a escena.



El palacio agrupa tres camerinos para los “cabeza
de cartel”. Un cubo perfecto de espejo sobre estructura de andamio de 9 x 9 x 9
metros, horadado en cada cara por un vacío de 3 x 3 x 3 m que hace de terraza
privada y acceso independiente. En la cubierta un mirador de moqueta azul y
peto de reflectante parece volar sobre el entorno. Un objeto extraño como
traído de otro planeta. 



El objetivo del proyecto es proveer al
festival de una infraestructura práctica, ligera, duradera y plegable, que
pueda ser almacenada y transportada en la mínima cantidad de contenedores, que
mantenga su vigencia estética la mayor cantidad de años posible sin renunciar
por ello a cierta monumentalidad mítica. Un Olimpo portátil para unos dioses
contemporáneos.’&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>MediaLab-Prado</title>
				
		<link>https://langarita-navarro.com/MediaLab-Prado</link>

		<pubDate>Thu, 28 Jun 2018 08:24:32 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/MediaLab-Prado</guid>

		<description>
	










Medialab-Prado
Madrid 2012


Adaptation for Serrería Belga of the Medialab-Prado Center
 Winner XII Bienal Española de Arquitectura y Urbanismo 2013COAM Award 2013Sacyr Innovation Award 2014
COAM +10 Award 2023


Adaptación de la Serrería Belga para sede de Centro Medialab-Prado
&#38;nbsp;Premio XII Bienal Española de Arquitectura y UrbanismoPremio COAM 2013Premio Sacyr a la Innovación 2014Premio COAM +10 2023


	

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&#60;img width="4961" height="7017" width_o="4961" height_o="7017" data-src="https://freight.cargo.site/t/original/i/a3695c0d1792ba246e66d8721e6009fc5b54ea3de0c8030607daabe48dcb9db9/LNA_SERRERIA_AXO_HR.jpg" data-mid="20747791" border="0"  src="https://freight.cargo.site/w/1000/i/a3695c0d1792ba246e66d8721e6009fc5b54ea3de0c8030607daabe48dcb9db9/LNA_SERRERIA_AXO_HR.jpg" /&#62;Authors: Langarita-Navarro Arquitectos, Víctor Navarro, María Langarita.
Team: Roberto González, Elena Castillo, Marta Colón de Carvajal, Juan Palencia, Guillermo Trapiello, Javier González Galán, Gonzalo Gutiérrez, Paula García-Masedo.
Surveyor: Santiago Hernán.
Structural engineers: Mecanismo.
Mechanical engineers: Úrculo Ingenieros.
Landscaping: Lorena García Rodríguez
Photographs: Miguel de Guzmán, Luis Díaz Díaz.

The 'Serrería' vs 'La Cosa' is a form of coexistence, a dialectical combat mode, which has allowed going beyond the conventional concept of rehabilitation and inhabit the remaining gap between the two opponents. It is a coexistence of opposites which has understood this intermediate region not as a finished product but as an open, versatile and activated process that people activate.



La Serrería vs La Cosa es un formato de coexistencia que, a modo de combate dialéctico, ha permitido habitar más allá del concepto convencional de rehabilitación el espacio intermedio que quedaba entre ambos contrincantes. Una coexistencia de contrarios que ha permitido pensar la región intermedia entre interlocutores no como un producto consumado sino como un proceso abierto, versátil y activado por los usuarios.

</description>
		
	</item>
		
		
	<item>
		<title>Red Bull Music Academy</title>
				
		<link>https://langarita-navarro.com/Red-Bull-Music-Academy</link>

		<pubDate>Thu, 28 Jun 2018 08:35:22 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/Red-Bull-Music-Academy</guid>

		<description>
	






Red Bull Music Academy



Madrid, 2011



RBMA headquarters at Matadero Madrid Nave 15.

Special Mention Emergent Architect European Union Prize for Contemporary Architecture Mies van der Rohe Award 2013Premi FAD 2012AR+D Emerging Architects Award 2012Finalist XII Bienal Española de Arquitectura y Urbanismo 2013Selected Arquia-Próxima 2012



Transformación de la Nave 15 de Matadero como sede de la RBMA.

Mención especial Arquitecto Emergente de los premios europeos de arquitectura contemporánea Mies Van der Rohe 2013Premio FAD 2012Premio AR+D for Emerging Architecture 2012Finalista XII Bienal Española de Arquitectura y UrbanismoSeleccionado Arquia Próxima 2012



	

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&#60;img width="2780" height="1854" width_o="2780" height_o="1854" data-src="https://freight.cargo.site/t/original/i/12331553c8402bc33f3ea4cc5660e72f22c072efbae6b3fea92f897b3a4c7e2a/RBMA_Madrid_photo_luisdiazdiaz_jpgprint_07.jpg" data-mid="20901633" border="0"  src="https://freight.cargo.site/w/1000/i/12331553c8402bc33f3ea4cc5660e72f22c072efbae6b3fea92f897b3a4c7e2a/RBMA_Madrid_photo_luisdiazdiaz_jpgprint_07.jpg" /&#62;
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Authors: Langarita-Navarro Arquitectos, Víctor Navarro, María Langarita.
Team: Juan Palencia, Gonzalo Gutierrez, Tonia Papanikolaou, Paula García-Masedo.
Surveyor: Javier Reñones.
Landscape: Jerónimo Hagerman.
Acoustics: Imar Sanmartí, Acousthink.
Mechanics: Úrculo Ingenieros.
Photos: Luis Díaz Díaz, Red Bull Music Academy (c), LNA, Miguel de Guzmán.

''In many ways this project shares the logic of a Russian matryoshka doll. Not only in the most literal, physical sense, in which one thing is directly incorporated into another, but also in a temporal sense, in which one actually originates within the other.''



En muchos sentidos este es un proyecto que comparte la lógica de una matrioska. No solo en el sentido físico más literal, en el que uno queda incorporado en otro, sino también en un sentido temporal, en el que uno se da dentro de otro. (...)

</description>
		
	</item>
		
		
	<item>
		<title>Baladrar House</title>
				
		<link>https://langarita-navarro.com/Baladrar-House</link>

		<pubDate>Thu, 28 Jun 2018 08:34:49 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/Baladrar-House</guid>

		<description>
	










Baladrar House

Alicante, 2006-2013



Summer house Benissa.


Casa en la costa Benissa.




	

&#60;img width="1476" height="984" width_o="1476" height_o="984" data-src="https://freight.cargo.site/t/original/i/1eb302bb3bccaec7890b49824acf728727bd9be7bed41b435b62f553d4238b53/Casa_Baladrar_Langarita_Navarro_arquitectos_foto_luisdiazdiaz_43.jpg" data-mid="20902187" border="0"  src="https://freight.cargo.site/w/1000/i/1eb302bb3bccaec7890b49824acf728727bd9be7bed41b435b62f553d4238b53/Casa_Baladrar_Langarita_Navarro_arquitectos_foto_luisdiazdiaz_43.jpg" /&#62;
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Authors: María Langarita, Víctor Navarro.
Team: Roberto González, Marta Colón de Carvajal, Juan Palencia, Paula García-Masedo.
Structural engineers: Mecanismo SL.
Client: Private

The scattered and trans-European city that the mountainous coast of Alicante has become, houses a heterogeneous population that is drawn to the sun, the sea, the temperate climate, the convenient public services and the leafy greenery. The promise of relaxing and hedonistic experiences captivates both seasonal tourists and long-term residents who see their expectations fulfilled amongst jasmine and bougainvilleas. The project draws from this context and is designed to meet the demands of multiple families in the summertime and as a haven for retirees the rest of the year.


La ciudad dispersa y transeuropea en que se ha convertido la costa montañosa de Alicante aloja una población heterogénea atraída por el sol, el mar, el clima templado, la proximidad de servicios o la vegetación frondosa. La promesa de experiencias relajadas y hedonistas cautiva tanto a turistas de temporada como a residentes estables que ven consumadas sus expectativas en escenarios de jazmín y buganvillas. El proyecto participa de este contexto y se diseña para acoger las demandas de una vida multifamiliar en verano y el retiro de jubilados el resto del año.

</description>
		
	</item>
		
		
	<item>
		<title>Coliving Suiters</title>
				
		<link>https://langarita-navarro.com/Coliving-Suiters</link>

		<pubDate>Thu, 27 Apr 2023 11:50:39 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/Coliving-Suiters</guid>

		<description>
	






Coliving Suiters



Alicante, 2022
Coliving in Alicante.&#38;nbsp;

&#38;nbsp;

Coliving en Alicante.

	

&#60;img width="8223" height="7581" width_o="8223" height_o="7581" data-src="https://freight.cargo.site/t/original/i/86c08e3502c019ca4cf4a5c8bd7b6423e6ba8696b48df60a0dcc9fb1f9005dc0/23027_002DFR.jpg" data-mid="177021664" border="0"  src="https://freight.cargo.site/w/1000/i/86c08e3502c019ca4cf4a5c8bd7b6423e6ba8696b48df60a0dcc9fb1f9005dc0/23027_002DFR.jpg" /&#62;
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&#60;img width="2664" height="3791" width_o="2664" height_o="3791" data-src="https://freight.cargo.site/t/original/i/f4d92f5c383824c905e559503f1c9ede2e0b422bb9d615e305fa04efb3aea158/1_Before-SIDE.jpg" data-mid="197695008" border="0"  src="https://freight.cargo.site/w/1000/i/f4d92f5c383824c905e559503f1c9ede2e0b422bb9d615e305fa04efb3aea158/1_Before-SIDE.jpg" /&#62;
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&#60;img width="4200" height="3677" width_o="4200" height_o="3677" data-src="https://freight.cargo.site/t/original/i/fdaa6348e02c08ad7b4f13b859dce05947108644709189aadb8eae694d9df885/23027_030DFR-EDIT.jpg" data-mid="177021963" border="0"  src="https://freight.cargo.site/w/1000/i/fdaa6348e02c08ad7b4f13b859dce05947108644709189aadb8eae694d9df885/23027_030DFR-EDIT.jpg" /&#62;
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&#60;img width="1134" height="945" width_o="1134" height_o="945" data-src="https://freight.cargo.site/t/original/i/c9eb82fdbf54ef99554656a64ee78ba23728746d17673cd9c919242a9e9a9ffb/diagrama.jpg" data-mid="177021966" border="0"  src="https://freight.cargo.site/w/1000/i/c9eb82fdbf54ef99554656a64ee78ba23728746d17673cd9c919242a9e9a9ffb/diagrama.jpg" /&#62;&#60;img width="2000" height="1414" width_o="2000" height_o="1414" data-src="https://freight.cargo.site/t/original/i/36902149074ee36ae509d1883c53617ff94271af6574002d8471c33bfcf94aee/SAN0125_plano003.jpg" data-mid="177020783" border="0"  src="https://freight.cargo.site/w/1000/i/36902149074ee36ae509d1883c53617ff94271af6574002d8471c33bfcf94aee/SAN0125_plano003.jpg" /&#62;&#60;img width="2000" height="1414" width_o="2000" height_o="1414" data-src="https://freight.cargo.site/t/original/i/9f408965451178b8e4e056505273dd825e6ff254c7b1f2309fb905423895c808/SAN0125_plano006.jpg" data-mid="177020787" border="0"  src="https://freight.cargo.site/w/1000/i/9f408965451178b8e4e056505273dd825e6ff254c7b1f2309fb905423895c808/SAN0125_plano006.jpg" /&#62;




Authors: Langarita-Navarro Arquitectos, Víctor Navarro, María Langarita. + Ad-Hoc, Juan Antonio Sánchez Morales. Joaquín García Vicente.&#38;nbsp;
Team: 

Fran Abellán Estevan, Javier Estebala Alández

, Antonio Antequera.
Surveyors: Manuel Olivares Esteban / Susana Salmerón Ruiz (ESMO Técnicos).


MEP: Estudios y Proyectos Fraloir SLP.
Structures: Iago González Quelle (Qube Diseño Estructural SL).
Photos: David Frutos.

‘


















































In the 1970s, on
a corner opposite the Central Market of Alicante, an office building was built,
which, in its first life, barely reached 30 years. It became an empty and
enigmatic urban figure, and attention was drawn to it as a potential Coliving
space in a new life, sparking an exploration of this potentiality. After
several studies, the rehabilitation project materialized into a new residential
proposal that combines a set of 49 housing units, meeting urban requirements to
be recognized as dwellings, with various communal spaces and services, all
cared for as if they were one's own. This concept is what is now known as Coliving
and, for this specific case, it's been named "Suiters." Beyond
developing a residential program for medium-term stays, which has already
proven to be a solution for many personal situations, the intervention also
aims to promote ecological education, believing that architecture can guide
solutions to the multitude of crises that converge. Thus, a completely
vegetated façade is proposed, serving as a temporary food source for the avian
fauna that inhabits the Benacantil mountain nearby. The project, shaped and
executed by many hands, has also been an experience of sharing the
architectural process itself. The best evidence of its contribution to
expanding the residential options that the city must offer to its residents
would be the existence of a waiting list.’




















‘En los 70, en una esquina frente al Mercado Central de Alicante, se construyó un edificio de oficinas que, en una primera vida, apenas llegó a los 30 años. Convertido en una figura urbana vacía y enigmática, se reparó en él como un posible coliving en una nueva vida, activándose un proceso de exploración de esa potencialidad. Tras varios estudios, el proyecto de rehabilitación se concretó en una nueva propuesta residencial en la que se combina un conjunto de 49 unidades habitacionales, capaces de cumplir con las exigencias urbanísticas para ser reconocidas como vivienda, con otro conjunto de diversos espacios y servicios para la vida en comunidad, cuidados como si de lo más propio se tratara. Es lo que se está denominando coliving y que, para este caso concreto, se ha nombrado como Suiters. La intervención, más allá de desarrollar un programa residencial orientado a estancias medias, que ya ha acreditado ser solución para multitud de situaciones personales, también se propone desplegar una pedagogía ecológica, pensando que la arquitectura puede orientar salidas al cúmulo de crisis que se reúnen. Así, se propone una fachada completamente vegetal que sea provisoria de alimento de la fauna avícola que coloniza el vecino monte de Benacantil. El proyecto, fraguado y ejecutado por varias manos, también ha sido una experiencia de compartir el propio hecho arquitectónico; y la mejor prueba de su aportación a la expansión de las fórmulas residenciales que la ciudad debe ofrecer a sus vecinos sería la existencia de una lista de espera..’

</description>
		
	</item>
		
		
	<item>
		<title>Manzana Verde</title>
				
		<link>https://langarita-navarro.com/Manzana-Verde</link>

		<pubDate>Thu, 28 Jun 2018 07:59:08 +0000</pubDate>

		<dc:creator>LNA</dc:creator>

		<guid isPermaLink="true">https://langarita-navarro.com/Manzana-Verde</guid>

		<description>
	






 Manzana Verde&#38;nbsp;


Málaga, 2017






'Active strata' is a strategy for creating an integrated, adaptable and sensitive 
 Mediterranean city. 
'Estratos activos' es la estrategia con la que producir ciudad mediterránea integrada, adaptable y sensible.&#38;nbsp;

	




	
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Authors: langarita–navarro arquitectos, Víctor Navarro, María Langarita.Collaborators: Policarpo del Canto, Adrián Úbeda; Lanscape: INLANDSIS (Elinor Scarth, Mar Armengol, Etienne Haller).

We propose a strategy for creating a Mediterranean city that is integrated, adaptable and sensitive to the lifecycles of those who comprise it.

Its objective is an attempt to understand the city as a stratified and multiscale system that must manage the mechanisms of contact, regulation, exchange, communication and adaptation of its components in a synchronized way.

The project incorporates the multiple spheres of knowledge that have arisen around the Mediterranean culture for centuries: the hybrid outer appearance, the hedonistic character, the thermoregulation of the Arab garden, democratic thinking, and diversity or integration; proposing a general strategy based on stratification and evolution over time starting from the 4 vectors that must also serve as guides for or indicators of the sustainability of the action: urban complexity, urban metabolism, urban biodiversity and social cohesion, habitability of the public space and sustainable mobility.



Proponemos una estrategia con la que producir ciudad mediterránea integrada, adaptable y sensible con los ciclos de vida de sus componentes.
El objetivo pasa por entender la ciudad como un sistema estratificado y multiescalar que ha de gestionar de forma sincronizada los mecanismos de contacto, regulación, intercambio, comunicación o adaptación de sus componentes.
El proyecto incorpora por un lado las inteligencias múltiples que se han dado en torno a la cultura mediterránea durante siglos: la materialidad híbrida, el carácter hedonista, la termorregulación del jardín árabe, el pensamiento democrático y la diversidad o la integración; proponiendo una estrategia general basada en la estratificación y evolución en el tiempo a partir de 4 vectores que han de servir, al mismo tiempo, como guías e indicadores de la sostenibilidad de la actuación: complejidad urbana, metabolismo urbano, biodiversidad urbana y cohesión social, habitabilidad del espacio público y movilidad sostenible.

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